Showing posts with label LP. Show all posts
Showing posts with label LP. Show all posts

August 11, 2016

Rockaphilly!


The two volumes of Rockaphilly released in the UK on Rollercoaster Records in 1978 and 1980 collect recordings from 1954-1965 on Philadelphia's Arcade Records and show a pretty rich music scene in and around Philly at the time, even referring to the city as "the East Coast's own Little Nashvillle." Well... maybe, but besides the great music, there are some historically interesting artifacts including the original version of Rock Around the Clock, later covered by Bill Haley. Many of the artists revolved in the Haley orbit and various permutations of the Comets show up under different names (but no Joey Welz here). And Al Rex's topical Hydrogen Bomb: "It's a big loud noise and you're real gone.... bomb bomb, the hydrogen bomb...."

All the tracks featured on Rockaphilly are taken from the archives of Arcade Records, a small Philadelphia label launched in the early 50s by the late Jack Howard to cater for a local demand for hillbilly, novelty, and later rock 'n' roll material.
Howard was an ardent country music fan who ran a printing shop in Philadelphia during the late 1940s. A well-intentioned but slightly deluded man, Howard sought a business involvement with the artists whose music he loved and in 1948, in partnership with a more opportunistic businessman named James Myers, he launched Cowboy Records, for which Bill Haley made his first solo recordings. The venture proved unsuccessful however and after a two year lapse during which Howard acted as a part-time manager to the nascent Haley, Howard launched a new label, Arcade, named after the Arcade Music Center, a record shop which Howard ran in Philly's Kensington area.
Taking his artists from local hoedowns, hillbilly radio stations and nightclubs, local sales while modest in scale, were sufficient to encourage a series of intermittent releases which stretched well into the sixties. ...
Jack fancied himself as a star-maker but in truth, apart from Bill Haley, most of the artists he launched--all solid, dependable stalwarts, did not provide Jack with the reflected glory he so earnestly craved. However we must be grateful that he did make the effort to record the wealth of local talent which existed in Pennsylvania during the late 40s and early 50s.
 





August 21, 2014

The Electric Love Muffin................ ...That looks like my 6th grade teacher 0_0... Mr Kaufmann is that you?



photos by Tracey Long
I must have seen the Electric Love Muffin more than any other band when I went to college in Philly in 1987. They seemed to play out every week and I never got tired of seeing them boing-boinging all over stage to their not-too-serious, seemingly apolitical speed americana.  Like a country band playing punk rock songs, and not the other way around.

demo tape (1985)
This Time I'm Gone

Playdoh Meathook (recorded 1985)
I Should Have
Blackness That Could Be Blue

Live at the Kennel Club (1986)
Backstreet Ride
Norweigian Wood

Rassafranna (1988)
Club Car
Venus
Down Easy

Second Third Time Around (1990)
Another Please
Under Candy Bridge

I eschewed the punker label when I was a teen, cuz, hey, uncool to label, right? But they were the kids I hung out with in Lancaster and Philadelphia. In retrospect punk rock had a pretty deep influence on me that has lasted into adulthood. More than just liking the music and the DIY ethic, I underwent a fair amount of political socialization through the music and the scene. It was a catalyst in my break from the political views of my family and many teachers and friends at my suburban school. Punk was my first exposure to radicalism, at least in a pop cultural sense -- entertaining, if not always very serious. But it also taught me that politics doesn't always have to be serious; radical acts can be fun! So I hung a bunch of sacrilegious and antinuclear xerox art and a huge Orgasm Addict poster on my bedroom wall. My parents were unimpressed.

The show we didn't play.... Fuckin' Bernie.
It was easy to cross over into more authentic political activism in college, take courses in third world history, make a move to San Francisco, subsist as a DIY handyman, and ultimately make a career choice... a political choice... to become a public school teacher - Radical? Well, punk might at least deserve a line on my curriculum vitae just to make sure I don't sell out.

In Rich Kaufmann's interview on LOUD! FAST! PHILLY!, he talks about his childhood, the Philly punk scene, the rise and demise of the Electric Love Muffin, his later band Rolling Hayseeds, and his solo work, but the part that resonates with me is his current experience as a former Philly punk scene star, turned suburban 6th grade teacher:
Rich Kaufmann: I remember the phrase, “Punk is an attitude,” and I really think that. Once it got its claws into you, you have to live your life sort of that way. It’s not about selling out or not selling out, or having material goods. But it is about knowing what’s important. And I do feel like those years in the punk scene, and that attitude that sort of got implanted is still with me even though I’ve become middle aged, and I have two kids, and I’m a school teacher. The idea of questioning things is important to me – questioning authority.
When I hear about the latest boogieman group, like punk rockers were, and heavy metalers were, and rappers were, I always think, "there’s something else there, that it’s not true. They’re trying to corner one group into being the bad guy, and I know that that’s probably not true."
The 80s were a tough time politically. Punks were one of the few groups that were openly against the grain and I feel like now more than ever it’s needed again…. The government has a lot of power. People need to be standing up and speaking out.
Teacher face?
It’s not like you have to do that, but I know people that are lawyers, and they still carry that attitude of like “I want to make the world a slightly better place. It’s not just about me getting everything I can get my hands on.” I teach English, but I also teach a social studies class, and I think it’s important to teach kids to be critical.  I live in a very conservative county…. So I get a lot of students who are often echoing what their parents are telling them, and that’s fine. But I always try to pose every question as to “How do you know that this is true?” If they say, “The President, or this politician, is doing this.” I say, “Well how do you know? You have to back it up.” I try to get kids to look at both sides of every issue…. They accept so much on just blind faith. They have to arrive at it by their own hard work. They need to research it and look at it themselves. And some of them really do….
I found a couple videos of us from University of Pennsylvania TV studio which are pretty good quality and I posted them up [online], and I’ve seen some of my former students typing stuff into the comments sections....

Muffin March
zkruzin Sep 7, 2012
     That looks like my 6th grade teacher 0_0... Mr Kaufmann is that you?
maseve21 Sep 7, 2012
     Lookin good Mr. K!
zkruzin Sep 7, 2012
    It is him?!?
zkruzin Sep 18, 2012
     Waiiit.... Is that a marijuana plant?
Rich Kaufmann Sep 18, 2012 in reply to zkruzin
     Nice try! It's some sort of Japanese Maple. It was in the UPenn TV studio, so you can bet they wouldn't be decorating their studios with pot plants.
zkruzin Sep 20, 2012
     That would make a lot more sense....

Support your teachers!
Badass Teacher Association - BATs
Education Voters of Pennsylvania
Caucus of Working Educators - WE
Teacher Action Group - TAGPhilly
Parents United for Public Education
Philadelphia Coalition Advocating for Public Schools - PCAPS
Philadelphia Student Union
Youth United for Change
Alliance for Philadelphia Public Schools - APPS

Another Philly punk teacher: Todd Shuster from The Jags and The Impossible Years

.....

Thanks to LOUD! FAST! PHILLY!, Stacey Finney, and Joseph A. Gervasi for the audio interview with Rich Kaufmann.

Music by the Electric Love Muffin on Mike Eidle's Freedom Has No Bounds and Jeff Fox's Razorcake/Barracuda Magazine Podcast

Photos by Tracey Long and Seven Morris
 









January 18, 2013

Weirdest Record Ever Bought at the Mall.... ...White Noise... An Electric Storm...

Delia Derbyshire
If it wasn't for the Vietnam War, and the fact that I was at the Naval Air Station hospital in Albany, Georgia, USA being born in 1969, I'm sure I would have been thrilled by the release of An Electric Storm by White Noise in London, England, UK.

I'm not always too keen new wave or electronica, but there are a few roots of these genres in the pre-Moogy past that are pretty spectacular. This one is a real timepiece with the tape-looping innovation of Delia Derbyshire, the co-creator of the Dr. Who theme.




Here Come the Fleas
Firebird
Your Hidden Dreams

Phase-Out:
The Visitation
Black Mass: An Electric Storm in Hell


When I was growing up in Lancaster, Pennsylvania, USA, there was an ice skating rink in the basement of the Park City Mall. I never skated there, but I have strong memories of watching skaters from above through a window in the floor.

By the time I was a teenage mallrat, the rink was replaced with a grubby flea market with little redeeming value except for a little stand called The Record Connection run by a nice guy named Andy. I probably bought a few dozen records from him, but the most unusual was this White Noise album, which I picked up purely because of the cover art.

Counted among the classics by electronica lovers, I just loved the weirdness, and the multi-tracked sex noises were the next best thing to what most adolescent boys were hanging out at the mall for anyway. I got lucky.
...

Read more about White Noise on {feuilleton} and Pitchfork.
Delia Derbyshire - Sculptress of Sound - BBC Radio documentary
The Record Connection is alive and well in a storefront in Ephrata!
And visit 1970's Park City Mall at Malls of America blog!

January 13, 2013

The Singing Cab Driver... Myrtle K. Hilo... ...Hawaiian Honeymoon Thrift Find #2

For the second installment of records we picked up in thrift shops on the Big Island and Kauai... G's long overdue request for The Singing Cab Driver, Myrtle K. Hilo (1967).


Kaimuki Hula
Waiahole E
Keiki No Punlu'u
Ha'u Ha'u E



And sixteen years after the honeymoon, Will You Love Me (When My Carburetor Is Busted)?

Love,
T



Alice, Linda, and Sybil... Hawaiian Honeymoon Thrift Find #1 series intro and Hawaiian music primer.

April 7, 2012

"A Steamin' Stew of Mutant Spew" - The Deadly Spawn Compilation

  
Somewhere outside you here a cry
A new commotion in the sky
A new generation's shouting out loud
I'm born in the USA and that makes me proud
Well skip the flag and all that
Cause being a fungus is where it's at
We'll be glad to ruin your perfect lawn
With the fungus from our spawn








The Velvet Monkeys
In 1985 we were getting fed a healthy diet of neogarage and psych from the grownups (Bill & Carl) over at the Web of Sound record store. ...The Scientists, The Nomads, The Lime Spiders, The Chesterfield Kings, The Hoodoo Gurus.... The Real Gone was slurping it up and recorded a live demo for Bill and Carl that found its way into the hands of Rick Noll, creator of York, PA's Bona Fide Records. Rick apparently liked it enough to include us on his followup to The Train To Disaster compilation if we re-recorded a song or two. So we borrowed a 4-track machine from friend and local punker Ray Rhythm, and laid down Bells Are Ringing, one of Dave's post-Vietnam era social protest songs.

Many of the bands, including ours, had already broken up and/or were playing with some combination of The Left and The Skeptics before the record even came out in 1986, but it sure caught a moment in time. The A-side had all the big(ger)-name acts, or at least the bands that made an appearance on another compilation by that time. We made it onto the flunky B-side, but we were in dang-good company nonetheless. Where The Train to Disaster was a strange disjointed mess, in the best way possible, The Deadly Spawn was a solid batch of songs from some not-so-solid bands.


A-Side
The Brood
The Velvet Monkeys - Rock Party (Washington DC) All we want is your girlfriend's love!
Monster Rock - She Lied (Frederick, MD) - members of The Left and The Skeptics.
The Brood - Writing on the Wall (Portland, Me)
Thee Fourgiven
The Creeping Pumpkins - Better Off Without You (Pompton Lakes, NJ)
Thee Fourgiven - The Wrong Side Of Your Mind (Hollywood, CA)
Liquid Generation - I Love You (Seattle, WA)
The Dusters
The Dusters - Everytime (Frederick/Hagerstown, MD) Another Left/Skeptics project. They opened the Hasil Adkins show in Lancaster that year.
The Skeptics
The Skeptics - Legend of the Headless Surfer (Frederick, MD) from the Worry Beads cassette. Drummer Stephen Blickenstaff also did the monstrous cover art and the cover of the Cramps Bad Music for Bad People.

The Real Gone
B-Side
The Subterraneans - Hammer of Love (Frederick, MD)
The Real Gone - Bells Are Ringing (Lancaster, PA)
Mutant Drone - Harvest Time (Richmond, VA)
Scattered Limbs - Walk Without Me (York, PA) made their only public appearance with James "Rebel" O'Leary at his birthday party at the local Goodwill.
No King - Restless Soul (Washington DC/Hoboken, NJ) featuring Rudi Protrudi of Tina Peel and The Fuzztones on harp.
The Turnups - Egypto-Tek (Harrisburg, PA) One of Central PA's first punk bands, circa 1980, with and without Billy Synth.

FlexiDisc
The Voodoo Love Gods - Bad Seed (Hagerstown, MD) Another Left spinoff featuring one of the Subterraneans
The Stump Wizards - I Don't Want You Anymore (Camp Hill, PA) Hear their first cassette here.

Added to the Dutch/German pressing on Resonance Records:
The Broken Jug - Son of a Gun (West Germany)




December 27, 2011

Songs & Stories of the Justice League of America

My little brother had this record when we were growing up.  For some reason I put it on in high school and was treated with these great cornball pop superhero theme songs.  The record was on Power Records from 1975, so I was always puzzled about why the songs sounded so retro. But it made the campy interludes on quite a few of the tape compilations I made for friends through college.

I held on to it all these years and gave it to my daughters along with a cool classroom phonograph, believing as I do that children should be taught early to handle their records by the edge and to gently cue the needle. 

Just last week, my fave DJ, Dave the Spazz played the Justice League Theme on WFMU, so I went upstairs and pulled it out of the girls' record collection (still in pretty good shape). According to the mighty Internet, the record was originally released in the mid-60s by Tilton Records and contained three additional songs that I never heard.  There are no credits on the sleeve, but apparently the whole thing was written and produced by Arthur Korb.  No idea if he's playing, singing, or doing any of the voices. So here are the complete songs from the Tilton release:



The Theme of the Justice League of America
The Wonder Woman Song
The Plastic Man Song
Metamorpho The Element Man Song
The Aquaman Song
The Flash Song







Thanks to the Power Records blog and  Way Out Junk for the tracks.  Get the complete songs and stories there.

April 18, 2011

Alice, Linda, & Sybil ............. Hawaiian Honeymoon Thrift Find #1

I promised some traditional Hawaiian music, so here we go with a little personal background, some random asides, and a mini-primer:

Genevieve and I thought we were choosing the quintessential honeymoon destination.  We figured we might as well go to Hawaii while we were still on the West Coast but my key frame of reference was still the Brady Bunch's tabu-tiki episode.  Fortunately about that time, my neighbor/installation artist/action film star/Hawaiian shirt collector, Rae Culbert played me a compilation of Hawaiian music from the 1930's that completely wowed me with falsetto voices and country-swinglike guitar rhythms.  I all but forced him to give me that LP and set out to find more. 

As it turned out, we steered clear of the cities and resorts and spent our time on the Big Island and Kauai. We hiked the trails, and I sacrificed my wife's sweet blood to evil mosquitoes while they barely touched me. We geekily read Hanahana, an oral history of Hawaiian and Japanese workers in the 20's through the 40s.  We booked our rooms one night at a time and we stayed at the historic and humble Manago Hotel in the town of Captain Cook that was an built as a stop for itinerant workers; although we had a bed instead of a tatami.  We drove on roads that the rental car agency said were off-limits and realized why when we a sign that warned of "overhead artillery firing."  Apparently the US Army still uses Hawaii for target practice. We ate lots of lau lau and strawberry papayas.  I don't think we saw one record store the entire time, but we spent as much time in thrift stores and flea markets as on black sand beaches and found a dozen or so vintage Hawaiian records in all their scratchy glory.

"Traditional" music, like luau pork and everything else in Hawaii, is hapa, a mixture and exchange of cultural styles and influences which was not always as harmonious or peaceful as the music now suggests. Hawaiian religious chants were blended with haole Protestant hymns sung in falsetto, the guitar of the Mexican vaqueros was adopted into the slack-key style, and the Portuguese bruguinha became the prototype for the ukulele.  The last monarch, Queen Lili'uokalani composer of Aloha Oe, the most famous Hawaiian song, continued to write music while under house arrest by a gang of US planters demanding annexation and free access to Hawaiian land and labor. The music that developed in the islands became hugely popular in the US and around the world starting in the 1930s and absorbed mainland jazz and popular influences as it became more commercialized. In turn it had a huge impact on mainsteam US music, particularly country.  Just listen to those steel guitar yodelers like Jimmie Rodgers and Hank Williams. 

The Alice Fredlund Serenaders, the Halekulani Girls, were a Waikiki hotel act in the 1950s and 60s.  They played traditional Hawaiian songs with occasional novelty numbers thrown in, but they were the real deal.
Hoe hoe na wa'a
Sweet lei lehua
Hu-i e



The Singing Cab Driver, Myrtle K. Hilo... Hawaiian Honeymoon Thrift Find #2

April 10, 2011

The Return of the Young Pennsylvanians

The Shaynes of Lancaster
Uh oh. It struck me that in the mid-80's when I was into the neo-garage scene, those original 60s punk bands that I thought were so ancient at the time were really less than 20 years out. Now we're another 25 years further along, and I feel old.

Rick Noll started Bona Fide Records in the living room of his York, PA apartment and has been putting out obscurities from the PA/MD/NJ area since 1983. He's a true, homegrown, sporadic, one-man record company and a big supporter of local bands as long as they were true to certain basic tenets of rock.  On albums like The Train to Disaster and The Deadly Spawn he brought us quite a few new bands in the garage punk arena that had a big impact on me.  My favorites, like The Left, The Velvet Monkeys, The Skeptics, and The Stump Wizards, took a pill from the garage, surf, and psychedelia of two decades past without subscribing to the full blown retro dogma.  I was at Rick's place in 1985 listening to a test-pressing and pried one of the last copies of The Return of the Young Pennsylvanians from him.  This was among the earliest of the 60s garage reissue comps that inspired a whole new crop of Prince Valiant haircuts.

The Return was the second of two similar albums released in 1982 and 1983. I don't know anything about Pennsylvania Unknowns, but I present to you a battle of the Penna 60s punk band compilations:
Flowerz-I Need Love Now (Reading)
The Scholars-I Need Your Lovin' (Reading)
The Hides-Don't Be Difficult (Pittsburgh)
Pat Farrell and the Believers-Bad Woman (Reading)
The Bends-If It's All the Same To You
Joe Frank and the Knights-Can't Find a Way
The Combenashuns-What'cha Gonna Do (Bethlehem)
The Loose Enz-A World Outside (York)
The Starlites-I Can't See You (Reading)
The Shandells-Chimes (Harrisburg)
The Centurys-Endless Search (Lebanon)
King's Ransom-Shadows of Dawn (Allentown)
The Bentleys-Now It's Gone (Allentown)
The Colors of Night-C-O-L-O-R-S (Philadelphia)
The Loose Enz-The Black Door
The Loose Enz-Easy Rider
Fred-A Love Song (Harrisburg)
The Shaynes-You Tell Me Girl (Lancaster)
The Loose Enz-A Better Man Than I (York)
The Down Children-I Can Tell (Philadelphia)
The Centurys-Hard Times (Lebanon)
The Centurys-I Can Tell
The Dogs-Don't Try To Help Me (Philadelphia)
Flowerz-Flyte (Reading)
Flowerz-Talken About Love
The Shaynes-From My Window
The Bounty Hunters-The Sun Went Away (Philadelphia)
The Bounty Hunters-Somewhere
The Bucaneers-I'm a Fool (Philadelphia)
Bright Image-People In the Town (Philadelphia)
Kindred Spirit-Blue Avenue (Johnstown)
Both compilations are available at Paradise of Garage Comps.
Check out the garage band known as The Young Pennsylvanians, from Japan!

February 20, 2011

De Tlatelolco a Tlatelolco ............. (y Tunéz, Egipto, Bahrein, Yemen, Libia, Marruecos, Siria....)

In 1968, as the eyes of the world focused on Mexico City in anticipation of the summer Olympics just weeks away, students marched peacefully calling for democracy and revolution. Thousands had been arrested. By October the 2nd, some ten thousand crowded the Plaza de Tres Culturas in Tlatelolco, surrounded by police and army and helicopters and tanks. Shots were heard, fired by government agitators at the troops to justify the suppression of the protests. Troops opened fire on the crowds and rampaged through the night. By dawn dozens or hundreds were dead. By noon, the plaza was scrubbed clean and the Olympics started on schedule a few days later.
I know very little about this record. Just that it was performed and recorded in 1979 by Teatro Mascarones de Cuernavaca to keep the memory of the massacre alive. I picked it up at a garage sale in San Francisco in the mid-90's, only vaguely familiar with the events of 1968. The musical pieces included here are in the nueva cancion folk, protest style. The first two are sung by members of Teatro Mascarones and the last one is by Angel Parra, of the first-family of Chilean nueva cancion. The performance picks up the continuum of oppression from the Spanish Conquest, to Mexico 1968, to the ongoing suppression of the truth by the ruling PRI party, which remained in power until 2001.
  1. Un lugar - Javier Sánchez
  2. 2 de octubre - Víctor Sanen
  3. Mexico '68: Homenaje a los estudiantes mexicanos - Angel Parra
Para que nunca se olviden

las gloriosas olimpiadas
mandó a matar el gobierno
cuatrocientos camaradas....

...Pero esas manchas no salen
ni con jabón, ni con agua....

So you never forget
the glorious Olympics,
the government ordered the killing
of four-hundred comrades....

...But these spots will not wash with soap, nor with water....



And here: Al Jazeera